Eduardo Galeano has made an evocative encapsulation of a story from Kadiweu mythology about the origin of the colors of birds. This particular story is full of talking animals and the blood of a martyred child, yet I am drawn to the magical realism of myths like this one. From our vantage point in an age of science, I am in awe of the thousands of stories which sought to explain the mysteries of our world.
The music serves to enhance the mystery, wandering without a true key center for the entire piece. It is a consonant world full of fourths and fifths, and the harmony often finds a pocket of tonality before skating off again, searching elsewhere. The piece finally comes to rest on E-flat, but even then there are extra notes, casting shadows. Nothing seems truly resolved. Nothing seems truly explained.
“White Those That Stayed Still” is a setting of “Colors,” a text from Memory of Fire, 1. Genesis by Eduardo Galeano. Translated by Cedric Belfrage. Used by permission.